03-13-2022, 12:47 AM
(This post was last modified: 03-13-2022, 02:30 PM by Drunk Monk.)
A pleasant doc that digs deep into George’s connection form early influences and then under Ravi Shankar. The last half is devoted to Maharishi. It talks to many of the Indian eyewitnesses although mostly their kids (now adults) and there’s some wonderful anecdotes. There’s some good reveals about the roots of many songs - I’m astonished that I didn’t know Mia Farrow’s sister was Prudence.
The Shankar segment shows a clip from Monterey Pop and I instantly recognized the auditorium because of so many years at Cali Roots, plus there’s a quick shot of Jerry.
Rishikesh brought back lots of memories. We’ve walked across Lakshman Juhla and many of the ashrams were familiar. They did a good job juxtaposing image of the Beatles at the ashram with how it looks today - abandoned and in ruins. I didn’t make it there because of the monkees.
It got a little long winded at the end interviewing some younger Indian musicians about how the Beatles influenced them (didn’t know them so didn’t care). I was surprised to learn Douglas’ Everybody was Mung Fu fighting was produced by an Indian in this.
Recommended for any D00Mers that enjoyed Get Back.
Seen on BritBox
The Shankar segment shows a clip from Monterey Pop and I instantly recognized the auditorium because of so many years at Cali Roots, plus there’s a quick shot of Jerry.
Rishikesh brought back lots of memories. We’ve walked across Lakshman Juhla and many of the ashrams were familiar. They did a good job juxtaposing image of the Beatles at the ashram with how it looks today - abandoned and in ruins. I didn’t make it there because of the monkees.
It got a little long winded at the end interviewing some younger Indian musicians about how the Beatles influenced them (didn’t know them so didn’t care). I was surprised to learn Douglas’ Everybody was Mung Fu fighting was produced by an Indian in this.
Recommended for any D00Mers that enjoyed Get Back.
Seen on BritBox
Shadow boxing the apocalypse


