08-18-2017, 08:43 PM
(This post was last modified: 08-18-2017, 09:03 PM by Drunk Monk.)
I really enjoy David Leitch films. He knows how to deliver action and super tasty ultravi. And Charlize is a goddess. A GODDESS. Move aside, Gal, let an Oscar winner show you how it's done. Charlize can truly act, she can do stunts and fight, selling punches and kicks with pounding impact, and isn't afraid to get dirty, naked and beaten. And she's super hot. Now in her 40s, she's hotter than ever. Add James Macalvoy and John Goodman and I'm so in. It's set by the Berlin Wall just before it falls, so the soundtrack is packed with nostalgic electro euro pop and the sets are decaying buildings lit with glowing neon diffused with cigarette smoke. Charlize owns Lorraine, a Stoli swigging ice queen spy in sharp stilleto heels, cold and calculating, and very very lethal. Like John Wick, Leitch creates an assassins' underworld with an implausible body count, but it's all about the ultravi. The fights are high octane, visceral, and sanguinous. Charlize delivers and you can see it's her for most of it (she cracked several teeth in the shoot for real). The centerpiece fight is a brutal long single shot - there are surely some digital stitches in the crazy swirling camera work, but it is impressive choreography to behold from every angle. I'd slo mo that just to breakdown the technical mastery. I already want to see that scene again.
I really want this to become a franchise like John Wick and I really want there to be a swordfight in the sequel. Please please please Mr. Leitch. I'm begging for it.
It's all about Charlize now. GODDESS of mayhem.
Total DOOM flick.
I really want this to become a franchise like John Wick and I really want there to be a swordfight in the sequel. Please please please Mr. Leitch. I'm begging for it.
It's all about Charlize now. GODDESS of mayhem.
Total DOOM flick.
Shadow boxing the apocalypse