Man at Arms: Art of War

[Drunk Monk]

I would luv to hear myself say ‘penis’ in german.

[Greg]

It's pronounced 'penis'

[Dr. Ivor Yeti]

But said with a certain...distain.

Schwanz is a good colloquial. Means “tail”

[Drunk Monk]

Man at Arms: Reforged is back!



Mind you, this is the original web show, not Man at Arms: Art of War, which was the TV show that I was on. Not sure how this is happening because AWEME went bankrupt, but I should reach out to Kerry at some point to congratulate him.

[Drunk Monk]

2020 gives me one last kick in the teeth.

El Rey Network ends 2020 ceasing its operations
Veronica Villafañe
3 days ago
El Rey Network ceases operations Dec. 31, 2020. (Photo: El Rey)
After a 7-year run, El Rey Network ceases operations on the last day of 2020.
The brainchild of director Robert Rodriguez, El Rey was launched in 2013, aiming to be the first 24-hour English-language Latino entertainment network with original and second-run programming.
Initially, it was one of the first minority-supported channels Comcast announced in 2012 it would launch as a condition of its 2011 merger with NBCUniversal. But a year later, Rodriguez himself showed up at Univision’s May upfront to reveal a change in plans.
His El Rey network would now partner with Univision, which at the time, had aspirations to attract more English-language dominant Latinos and had announced the creation of its own, ill-fated cable network Fusion.
Univision ended its partnership with El Rey in November, exiting its minority position in the cable network for an undisclosed su[img]data:image/svg+xml;charset=utf-8,<svg height="344px" width="550px" xmlns="http://www.w3.org/2000/svg" version="1.1"/>[/img][img=0x0]https://www-mediamoves-com.cdn.ampproject.org/i/s/www.mediamoves.com/wp-content/uploads/2020/12/El-Rey-programming-Dec-31-2020.png[/img]The progranothingThe network continued to promote its New Year’s Eve lineup – even on social media – on December 31, just hours before its scheduled sign-off.
No word yet on what will happen with El Rey’s original content, whether it will move on to existing streaming platforms of if Rodriguez will venture to launch his own.
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[Drunk Monk]

I just got word that our showrunner lost his young son, his sister-in-law, brother-in-law and niece in a car accident. His other son is in ICU. Heartbreaking. The showrunner is a deadhead and we've always hoped we’d cross paths there. We’ve kept up correspondence in hopes that might happen. Our cast has been checking in with him. We’re all devastated.

[Dr. Ivor Yeti]

Fuck.

[Drunk Monk]

Aug 6, 2021 9:21am PT
Robert Rodriguez’s El Rey Network Cable Channel to Be Rebooted for Streaming With Cinedigm

By Todd Spangler



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[color=var(--color-brand-secondary-50)]Courtesy of El Rey Network[/color][/color]
Filmmaker [url=https://variety.com/t/robert-rodriguez/]Robert Rodriguez has taken El Rey Network — once a linear cable TV channel — and reformatted the Latino-focused brand for the streaming era in partnership with Cinedigm.
Launched in 2013, El Rey Network at its peak reached over 40 million households stocked with a range of English-language scripted and unscripted programming catering to Latino audiences and beyond. The cable channel shut down at the end of 2020.
In partnership with Cinedigm, El Rey Network will relaunch as an over-the-top streaming service available on platforms including connected TVs, digital set-top boxes, media-streaming devices and the web. In addition, Cinedigm will work with El Rey to ink deals with advertisers on custom content. Cinedigm also will distribute Rodriguez’s feature film “Red 11” and the companion docuseries, “Rebel Without A Crew: The Robert Rodriguez Film School,” exclusively to OTT platforms.
The date of the El Rey Network streaming channel launch has yet to be determined.
The companies claimed El Rey’s revival as an OTT channel marks the first time a cable TV network has pivoted “completely” from linear to streaming. However, NBCUniversal’s G4 TV game and fandom network, after lying dormant for almost six years, this year has been relaunched by Comcast’s Spectacor sports division with G4 content across a series of platforms.
“El Rey has always been a network for the people — a mainstream outlet where we discover diverse, independent voices,” Rodriguez said in a statement. “The fact that we can also now make our catalogue of kick-ass programming available for free to all gives me enormous joy.”
He added: “As audiences move deliberately to streaming, it was important for me to democratize our platform so that the masses have the opportunity to see themselves in our lineup of curated, inclusive and entertaining content. This is a huge win in every way, and I want to thank Cinedigm for putting fans first with this new alliance.”
Programming on El Rey Network is curated by Rodriguez (“From Dusk Till Dawn,” “Sin City,” “Spy Kids,” “Machete”) and his creative partners. Featured shows include Rodriguez’s “The Director’s Chair,” featuring interviews with creatives like John Carpenter and Quentin Tarantino; “Rebel Without a Crew: The Series,” in which filmmakers set out to make their first feature under Rodriguez’s guidance; a library of unscripted franchises including “The Chuey Martinez Show”; and feature films spanning such genres as grindhouse, cult classic action, horror and sci-fi.
“Red 11,” based on Rodriguez’s experiences in a medical research facility to finance his first feature film, “El Mariachi,” had its world premiere at SXSW. The movie is set in a dark, twisted world of legal drug research where college kids become lab rats to make quick money. Written, produced and directed by the filmmaker, “Red 11” was co-written with Rodriguez’s son Racer Max and went on to play in the Directors’ Fortnight section at the Cannes Film Festival.
Cinedigm’s partnership with El Rey allows the channel to broaden its digital footprint, as well as expand the access of its programming to audiences, said Erick Opeka, Cinedigm’s president and chief strategy officer. “We’re excited to be stepping in at this important moment alongside the passion, dedication and forward-thinking vision that Robert Rodriguez brings to the table,” Opeka said.
Cinedigm also touts advertising partnerships with demand-side partners like Magnite (SpotX/Springserve), Comcast’s FreeWheel, Verizon Media and Xander. That will allow the El Rey OT channel to generate ad revenue from targeted demographics in the growing ad-supported video-on-demand (AVOD) and free, ad-supported television (FAST) sectors, Opeka said.
El Rey Network is jointly owned by Rodriguez and FactoryMade Ventures. At one point, Univision held a a minority stake in the venture; the Hispanic media giant in November 2020 sold its stake in El Rey to focus on Spanish-language programming.
“We look forward to working with Chris McGurk and his incredible team at Cinedigm to further engage audiences and align with smart marketing partners to create memorable, custom content that breaks through the clutter,” FactoryMade Ventures CEO John Fogelman said in a statement.