10-30-2008, 12:42 AM
Spinoff #1 from this thread: http://brotherhoodofdoom.com/phpBB3/view...f=9&t=1411
There are 3 factors to consider in this review: #1. The version I saw had a new avi code that I couldn't decipher even after several updates to various viewers, so there was no sound. There were no subtitles either. I only saw the visuals. #2. I consider Donnie Yen as a leading choreographer right now. #3. I'm fascinated by Vicky Zhao Wei. I saw her perform live at a Shaolin festival opener and she blew me away alhthough that might have been because she was the only celeb I recognized. She first caught my attention as the goalie in Shaolin Soccer. Vicky has these freakishly huge eyes and she knows exactly how to use them. She can flick from emotion to emotion with quick tiny tics of her eyes. And she can make them wet - oh so wet - I swear Vicky can store a full cup of tears in her lower lid before spilling the first drop.
I was thoroughly entertained by Painted Skin. The story is a classic from Chinese myth so I can't comment on it's originality. The film is very visual: sweeping landscapes, ornate sets and props, baroque costumes - China now realizes that it can make great period flicks because it has the manpower to build sets, sew costumes and field hundreds of extras. Glynch old pal, you are never going to be able to ply your trade in China. The set builders there are doing some great stuff, paying more attention to detail, but they still aren't above paper mache boulders. The cinematography is swirling, like a cantopop video - lots of brids-eye views swooping down into close-up. PLenty of good close-ups on the eyes of the female leads (and we all know that Asian eyes are the most soulful and sexy) but a few too many shots that were askew like the villain's lair in the Batman TV show. The soundtrack, well, I didn't hear it, did I? That could be a dealmaker or breaker. The acting was all about Vicky in my mind. Everyone turns in a crying scene, but there's no matching Vicky and that cupful of tears. It was all about her. The other lead actress was new to me and played excellent counterpoint. The effects are mediocre at best - heavy usage of the Predator-camoflage effect, a few qi blasts and fairy dust. There's one good moment when the ghost is revealed that's novel, but not stunning CGI-wise, more eerie on a conceptual level. And the fight scenes? Well, despite Donnie, this is not a martial arts movie. It's a Chinese ghost story with martial arts in it. Followers of the martial genre and Donnie will be unimpressed. It's cartoon fights, a lot of wire flying ala Crouching Tiger, but less in impact than Dragon Tiger Gate. Donnie comes off well, but it's a significant step down from Flashpoint and perhaps even down from Empress and Warriors. It may impress the uninitiated, but even for the novice fan, there's little fresh choreography here.
Is it Academy worthy? It's not nearly on the level Crouching Tiger or Hero, so I say no. It's a very entertaining film, but the Best Foreign Film needs to be more substantial, more profound. Nevertheless, it's very enjoyable, even without the sound. I look forward to seeing it with dialog although I feel pretty clear on the story arc without it.
I think my dog appears in it. I won't say where, but it's clearly in character with my dog.
There are 3 factors to consider in this review: #1. The version I saw had a new avi code that I couldn't decipher even after several updates to various viewers, so there was no sound. There were no subtitles either. I only saw the visuals. #2. I consider Donnie Yen as a leading choreographer right now. #3. I'm fascinated by Vicky Zhao Wei. I saw her perform live at a Shaolin festival opener and she blew me away alhthough that might have been because she was the only celeb I recognized. She first caught my attention as the goalie in Shaolin Soccer. Vicky has these freakishly huge eyes and she knows exactly how to use them. She can flick from emotion to emotion with quick tiny tics of her eyes. And she can make them wet - oh so wet - I swear Vicky can store a full cup of tears in her lower lid before spilling the first drop.
I was thoroughly entertained by Painted Skin. The story is a classic from Chinese myth so I can't comment on it's originality. The film is very visual: sweeping landscapes, ornate sets and props, baroque costumes - China now realizes that it can make great period flicks because it has the manpower to build sets, sew costumes and field hundreds of extras. Glynch old pal, you are never going to be able to ply your trade in China. The set builders there are doing some great stuff, paying more attention to detail, but they still aren't above paper mache boulders. The cinematography is swirling, like a cantopop video - lots of brids-eye views swooping down into close-up. PLenty of good close-ups on the eyes of the female leads (and we all know that Asian eyes are the most soulful and sexy) but a few too many shots that were askew like the villain's lair in the Batman TV show. The soundtrack, well, I didn't hear it, did I? That could be a dealmaker or breaker. The acting was all about Vicky in my mind. Everyone turns in a crying scene, but there's no matching Vicky and that cupful of tears. It was all about her. The other lead actress was new to me and played excellent counterpoint. The effects are mediocre at best - heavy usage of the Predator-camoflage effect, a few qi blasts and fairy dust. There's one good moment when the ghost is revealed that's novel, but not stunning CGI-wise, more eerie on a conceptual level. And the fight scenes? Well, despite Donnie, this is not a martial arts movie. It's a Chinese ghost story with martial arts in it. Followers of the martial genre and Donnie will be unimpressed. It's cartoon fights, a lot of wire flying ala Crouching Tiger, but less in impact than Dragon Tiger Gate. Donnie comes off well, but it's a significant step down from Flashpoint and perhaps even down from Empress and Warriors. It may impress the uninitiated, but even for the novice fan, there's little fresh choreography here.
Is it Academy worthy? It's not nearly on the level Crouching Tiger or Hero, so I say no. It's a very entertaining film, but the Best Foreign Film needs to be more substantial, more profound. Nevertheless, it's very enjoyable, even without the sound. I look forward to seeing it with dialog although I feel pretty clear on the story arc without it.
I think my dog appears in it. I won't say where, but it's clearly in character with my dog.
Shadow boxing the apocalypse