05-10-2020, 11:13 AM
A companion piece to Yojimbo where Mifune plays the same character, but here naming himself Sanjuro (he always gives his name as whatever he sees at the time, and here it is camelias (sanjuro means 30-year-old camelias). Ever the jaded samurai, Sanjuro nonetheless decides to help a group of naive warriors weed out their clan's evil influences.
Again I'm impressed at how fully fleshed out Mifune's character is, snarling and full of swagger, but vulnerable, full of uncertainties, and he makes mistakes and is outwitted at times. He shows an amazing range.
Takashi Shimura is aboard once more, but in a very small role. He is definitely showing his age.
Tatsuya Nakadai, the smirking gun-toting villain of Yojimbo, here plays Hanbei, a master samurai in the evil faction of the clan. He tries to recruit Sanjuro after seeing his swordsmanship, which Sanjuro plays to his advantage. But when all is said and done, and the movie seems about to end with all resolved, the naive young warriors come upon Sanjuro and Hanbei in an isolated spot, preparing to fight. The young warriors bear witness to a short but suspenseful fast-draw duel, which ends in a spectacular spray of blood.
I've seen that scene before, and likely the whole movie. But that was back in my 20s, on a small black and white portable TV, likely when it aired on PBS. I saw several great foreign films back then, on PBS, all introduced by Alistaire Cooke (who was merely old at the time). Alistaire was always holding forth, on the proper pronunciation of Hiroshima, or how Chopin is pronounced like Japan, or the difference between harakiri and seppuku (and how they're pronounced). For Sanjuro, I recall him pointing out the influence of American Westerns, and their gunfights, in Kurosawa's climax here.
Though I suspect I've seen it before, the movie was entirely fresh for me. I mean, if you see a movie 40 years ago, does it really count?
Another great film, and with a great soundtrack.
Again I'm impressed at how fully fleshed out Mifune's character is, snarling and full of swagger, but vulnerable, full of uncertainties, and he makes mistakes and is outwitted at times. He shows an amazing range.
Takashi Shimura is aboard once more, but in a very small role. He is definitely showing his age.
Tatsuya Nakadai, the smirking gun-toting villain of Yojimbo, here plays Hanbei, a master samurai in the evil faction of the clan. He tries to recruit Sanjuro after seeing his swordsmanship, which Sanjuro plays to his advantage. But when all is said and done, and the movie seems about to end with all resolved, the naive young warriors come upon Sanjuro and Hanbei in an isolated spot, preparing to fight. The young warriors bear witness to a short but suspenseful fast-draw duel, which ends in a spectacular spray of blood.
I've seen that scene before, and likely the whole movie. But that was back in my 20s, on a small black and white portable TV, likely when it aired on PBS. I saw several great foreign films back then, on PBS, all introduced by Alistaire Cooke (who was merely old at the time). Alistaire was always holding forth, on the proper pronunciation of Hiroshima, or how Chopin is pronounced like Japan, or the difference between harakiri and seppuku (and how they're pronounced). For Sanjuro, I recall him pointing out the influence of American Westerns, and their gunfights, in Kurosawa's climax here.
Though I suspect I've seen it before, the movie was entirely fresh for me. I mean, if you see a movie 40 years ago, does it really count?
Another great film, and with a great soundtrack.
I'm nobody's pony.