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		<title><![CDATA[Forums - Doom Books]]></title>
		<link>http://www.brotherhoodofdoom.com/doomForum/</link>
		<description><![CDATA[Forums - http://www.brotherhoodofdoom.com/doomForum]]></description>
		<pubDate>Wed, 10 Jun 2026 16:32:38 +0000</pubDate>
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			<title><![CDATA[Yellowface by R. L. Kuang]]></title>
			<link>http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8726</link>
			<pubDate>Tue, 06 Jan 2026 20:24:47 +0000</pubDate>
			<dc:creator><![CDATA[<a href="http://www.brotherhoodofdoom.com/doomForum/member.php?action=profile&uid=7">Drunk Monk</a>]]></dc:creator>
			<guid isPermaLink="false">http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8726</guid>
			<description><![CDATA[This is like the one title by this author that Greg hasn't read, which is funny to me because given his reviews, he’s not that into her but he’s read her trilogy and some of her other works, all drawing the same negative reviews. He even read one twice.<br />
<br />
This has been recommended to me by many for so many reasons. I picked it up for my vacay reading, got hooked, and finished it in one day. Kuang is a fine writer, a compelling storyteller but parallel to Greg’s reviews, she doesn’t stick landings. This is a story of a hack writer who witnessed her literary star friend choke and die, then steals a manuscript she was working in to build her own success story. It’s labels lee as comedy horror, but it’s neither. It’s more of a thriller.<br />
<br />
What complicates the plagiarism is the dead star is Asian and the plagiarist is white. The race cards are brilliantly played, many translucent autobiographical moments. It’s also a great leak into the world of publishing. Both are topics I’m intimately familiar with - when she mentions the struggles on knee publishers, trolls, SDCC &amp; Barcon, I couldn’t help but smirk. Sharp observations and witty takes on AAPI book publishing.<br />
<br />
It was a great ride until the conclusion, which was lacking. Such a let down but at least it was at the very end. It had me thinking of alternate better endings. <br />
<br />
Not D00M recommended, except maybe for Greg, in case he wants to get Kuanged once more (masochist that he is, he seems to like it, and that’s ok - we still accept him here because it boosts our schadenfreude).]]></description>
			<content:encoded><![CDATA[This is like the one title by this author that Greg hasn't read, which is funny to me because given his reviews, he’s not that into her but he’s read her trilogy and some of her other works, all drawing the same negative reviews. He even read one twice.<br />
<br />
This has been recommended to me by many for so many reasons. I picked it up for my vacay reading, got hooked, and finished it in one day. Kuang is a fine writer, a compelling storyteller but parallel to Greg’s reviews, she doesn’t stick landings. This is a story of a hack writer who witnessed her literary star friend choke and die, then steals a manuscript she was working in to build her own success story. It’s labels lee as comedy horror, but it’s neither. It’s more of a thriller.<br />
<br />
What complicates the plagiarism is the dead star is Asian and the plagiarist is white. The race cards are brilliantly played, many translucent autobiographical moments. It’s also a great leak into the world of publishing. Both are topics I’m intimately familiar with - when she mentions the struggles on knee publishers, trolls, SDCC &amp; Barcon, I couldn’t help but smirk. Sharp observations and witty takes on AAPI book publishing.<br />
<br />
It was a great ride until the conclusion, which was lacking. Such a let down but at least it was at the very end. It had me thinking of alternate better endings. <br />
<br />
Not D00M recommended, except maybe for Greg, in case he wants to get Kuanged once more (masochist that he is, he seems to like it, and that’s ok - we still accept him here because it boosts our schadenfreude).]]></content:encoded>
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			<title><![CDATA[The Book Count 2026]]></title>
			<link>http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8723</link>
			<pubDate>Sun, 04 Jan 2026 15:42:30 +0000</pubDate>
			<dc:creator><![CDATA[<a href="http://www.brotherhoodofdoom.com/doomForum/member.php?action=profile&uid=1">Greg</a>]]></dc:creator>
			<guid isPermaLink="false">http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8723</guid>
			<description><![CDATA[<span style="font-weight: bold;" class="mycode_b"><span style="font-size: medium;" class="mycode_size">January</span></span><br />
<br />
Walking with Ghosts by Gabriel Byrne Jan 2, 2026 Rating B<br />
Murder by Memory by Olivia Waite Jan 3, 2026 (Book 1 of a series) Rating B<br />
Spying on the South by Peter Horwitz Jan 4 , 2026 Rating B<br />
King Sorrow by Joe Hill Jan 10, 2026 Rating A<br />
The Shattering Peace by Joe Scalzi Jan 14, 2026 (Book 7 in a series) Rating B<br />
Saltcrop by Yumi Kitasei Rating B<br />
Dungeon Crawler Carl by Matt Dinniman (Book 1 of a series) Rating A<br />
<br />
<span style="font-weight: bold;" class="mycode_b"><span style="font-size: medium;" class="mycode_size">February</span></span><br />
Wicked Problems by Max Gladstone Feb 1, 2026 (Book 2 in a series) Rating A<br />
Dead Hand Rule by Max Gladsone Feb 5, 2026 (Book 3 of a series) Rating B+<br />
Carl's Doomsday Scenario by Matt Dinniman Feb 7, 2026 (Book 2 of a series) Rating B+<br />
Black Tide by Peter Temple Feb 13, 2026 (Book 2 of a series) Rating B<br />
The Everlasting by Alix E. Harrow Feb 15, 2026 Rating A<br />
Future Boy by Michael J. Fox Feb 16, 2026 Rating B<br />
The Dungeon Anarchist's Cookbook by Matt Dinniman (Book 3 of a series) Rating B<br />
The Gate of the Feral Gods by Matt Dinniman (Book 4 of a series) Rating B<br />
<br />
<span style="font-weight: bold;" class="mycode_b"><span style="font-size: medium;" class="mycode_size">March</span></span><br />
The Butcher's Masquerade by Matt Dinniman March 1, 2026(Book 5 of a series) Rating B<br />
There is no Antimemetics Division by Qntm March 3, 2026 Rating B<br />
The Bedlam Bride by Matt Dinniman March 12, 2026(Book 6 of a series) Rating B<br />
Twelve Months by Jim Butcher March 14, 2026 (Book 20 of a series) Rating B+<br />
Pretenders to the Throne of Gods by Adrian Tchaikovsky March 20, 2026 (Book 4 of a series) Rating A<br />
This Inevitable Ruin by Matt Dinniman March 31, 20226 (Book 7 of a series) Rating B<br />
<br />
<span style="font-weight: bold;" class="mycode_b"><span style="font-size: medium;" class="mycode_size">April</span></span><br />
Vagabond by Tim Curry April 3, 2026 Rating B-<br />
Clown Town by Mick Herron April 9, 2026 (Book 8 of a series) Rating B<br />
King of Ashes by Raymond E. Feist April 14, 2026 (Book 1 of a series) Rating B<br />
You can never die by Harry Bliss April 18, 2026 Rating B<br />
The Hard Line by Mark Greaney April 22, 2026 (Book 12 of a series) Rating B+<br />
Shroud by Adrian Tchaikovsky April 29, 2026 Rating B+<br />
<br />
<span style="font-weight: bold;" class="mycode_b"><span style="font-size: medium;" class="mycode_size">May</span></span><br />
Queen of Storms by Raymond E. Feist May 4, 2026 (Book 2 of a series) Rating B<br />
Master of Furies by Raymond E. Feist May 10, 2026 (Book 3 of a series) Rating B<br />
The Incandescent by Emily Tisch May 16, 2026 Rating B+<br />
Out Law by Jim Butcher May 17, 2026 (Set in Dresden Files World) Rating B+<br />
The Keeper by Tana French May 24, 2026 (Book 3 of a series) Rating B<br />
Operation Bounce House by Matt Dinniman May 31, 2026 Rating B+<br />
<br />
<span style="font-weight: bold;" class="mycode_b"><span style="font-size: medium;" class="mycode_size">June</span></span><br />
<br />
A Parade of Horrible by Matt Dinniman June 7, 2026 (Book 8 of a series) Rating B]]></description>
			<content:encoded><![CDATA[<span style="font-weight: bold;" class="mycode_b"><span style="font-size: medium;" class="mycode_size">January</span></span><br />
<br />
Walking with Ghosts by Gabriel Byrne Jan 2, 2026 Rating B<br />
Murder by Memory by Olivia Waite Jan 3, 2026 (Book 1 of a series) Rating B<br />
Spying on the South by Peter Horwitz Jan 4 , 2026 Rating B<br />
King Sorrow by Joe Hill Jan 10, 2026 Rating A<br />
The Shattering Peace by Joe Scalzi Jan 14, 2026 (Book 7 in a series) Rating B<br />
Saltcrop by Yumi Kitasei Rating B<br />
Dungeon Crawler Carl by Matt Dinniman (Book 1 of a series) Rating A<br />
<br />
<span style="font-weight: bold;" class="mycode_b"><span style="font-size: medium;" class="mycode_size">February</span></span><br />
Wicked Problems by Max Gladstone Feb 1, 2026 (Book 2 in a series) Rating A<br />
Dead Hand Rule by Max Gladsone Feb 5, 2026 (Book 3 of a series) Rating B+<br />
Carl's Doomsday Scenario by Matt Dinniman Feb 7, 2026 (Book 2 of a series) Rating B+<br />
Black Tide by Peter Temple Feb 13, 2026 (Book 2 of a series) Rating B<br />
The Everlasting by Alix E. Harrow Feb 15, 2026 Rating A<br />
Future Boy by Michael J. Fox Feb 16, 2026 Rating B<br />
The Dungeon Anarchist's Cookbook by Matt Dinniman (Book 3 of a series) Rating B<br />
The Gate of the Feral Gods by Matt Dinniman (Book 4 of a series) Rating B<br />
<br />
<span style="font-weight: bold;" class="mycode_b"><span style="font-size: medium;" class="mycode_size">March</span></span><br />
The Butcher's Masquerade by Matt Dinniman March 1, 2026(Book 5 of a series) Rating B<br />
There is no Antimemetics Division by Qntm March 3, 2026 Rating B<br />
The Bedlam Bride by Matt Dinniman March 12, 2026(Book 6 of a series) Rating B<br />
Twelve Months by Jim Butcher March 14, 2026 (Book 20 of a series) Rating B+<br />
Pretenders to the Throne of Gods by Adrian Tchaikovsky March 20, 2026 (Book 4 of a series) Rating A<br />
This Inevitable Ruin by Matt Dinniman March 31, 20226 (Book 7 of a series) Rating B<br />
<br />
<span style="font-weight: bold;" class="mycode_b"><span style="font-size: medium;" class="mycode_size">April</span></span><br />
Vagabond by Tim Curry April 3, 2026 Rating B-<br />
Clown Town by Mick Herron April 9, 2026 (Book 8 of a series) Rating B<br />
King of Ashes by Raymond E. Feist April 14, 2026 (Book 1 of a series) Rating B<br />
You can never die by Harry Bliss April 18, 2026 Rating B<br />
The Hard Line by Mark Greaney April 22, 2026 (Book 12 of a series) Rating B+<br />
Shroud by Adrian Tchaikovsky April 29, 2026 Rating B+<br />
<br />
<span style="font-weight: bold;" class="mycode_b"><span style="font-size: medium;" class="mycode_size">May</span></span><br />
Queen of Storms by Raymond E. Feist May 4, 2026 (Book 2 of a series) Rating B<br />
Master of Furies by Raymond E. Feist May 10, 2026 (Book 3 of a series) Rating B<br />
The Incandescent by Emily Tisch May 16, 2026 Rating B+<br />
Out Law by Jim Butcher May 17, 2026 (Set in Dresden Files World) Rating B+<br />
The Keeper by Tana French May 24, 2026 (Book 3 of a series) Rating B<br />
Operation Bounce House by Matt Dinniman May 31, 2026 Rating B+<br />
<br />
<span style="font-weight: bold;" class="mycode_b"><span style="font-size: medium;" class="mycode_size">June</span></span><br />
<br />
A Parade of Horrible by Matt Dinniman June 7, 2026 (Book 8 of a series) Rating B]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[TQ's Book Count 2026]]></title>
			<link>http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8719</link>
			<pubDate>Fri, 02 Jan 2026 05:41:58 +0000</pubDate>
			<dc:creator><![CDATA[<a href="http://www.brotherhoodofdoom.com/doomForum/member.php?action=profile&uid=6">The Queen</a>]]></dc:creator>
			<guid isPermaLink="false">http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8719</guid>
			<description><![CDATA[#1: Open Season by C. J. Box. First book of a mystery series featuring game warden/ranger Joe Pickett.  I give it two stars, one for the interesting daughter character (Sheridan) and one for the wildlife descriptions. The hero doesn’t seem very bright. I’ll give the second book a try and see if he gets smarter.]]></description>
			<content:encoded><![CDATA[#1: Open Season by C. J. Box. First book of a mystery series featuring game warden/ranger Joe Pickett.  I give it two stars, one for the interesting daughter character (Sheridan) and one for the wildlife descriptions. The hero doesn’t seem very bright. I’ll give the second book a try and see if he gets smarter.]]></content:encoded>
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			<title><![CDATA[The Speed of Sound by Thomas Dolby]]></title>
			<link>http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8625</link>
			<pubDate>Sun, 19 Oct 2025 03:17:53 +0000</pubDate>
			<dc:creator><![CDATA[<a href="http://www.brotherhoodofdoom.com/doomForum/member.php?action=profile&uid=9">King Bob</a>]]></dc:creator>
			<guid isPermaLink="false">http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8625</guid>
			<description><![CDATA[Yes, it's that Thomas Dolby, and it's a memoir. The first half, up to the mid 90s and covering his musical heyday is great. In the second half, he moves to the Bay Area and gets into tech, and IMO it's just not that interesting. <br />
There was a bunch amusing trivia, such as:<ul class="mycode_list"><li>He made a demo to try to get a record deal (with help from Andy Partridge, who refused to be paid). He didn't get a deal, but Mutt Lange heard it and liked the synth sound, so he hired him to play on Foreigner 4. With the money he made, he was able to get the gear to make his first album.<br />
</li>
<li>He was in a Band with Trevor Horne in 1979, then was in Lene Lovich's band and he wrote "New Toy" for her.<br />
</li>
<li>He produced and played on an album for George Clinton, and was in the band at a James Brown tribute show at the Apollo.<br />
</li>
<li>He did the soundtracks for "Howard the Duck" and Ken Russell's "Gothic."<br />
</li>
<li>Bob Weir and Jerry Garcia appear on his fourth album, but Jerry was (as he kindly put it) "out of it" and played poorly. But the tape was running while Jerry noodled, so Dolby cut up bits of that and spliced together a part from them.<br />
</li>
</ul>
The first half is recommended, and was one of the better musician's memoirs I've read. Although as is often the case, debauchery and drugs go pretty much unmentioned. The second half I don't recommend, although might interest TG since he's been in tech so long.]]></description>
			<content:encoded><![CDATA[Yes, it's that Thomas Dolby, and it's a memoir. The first half, up to the mid 90s and covering his musical heyday is great. In the second half, he moves to the Bay Area and gets into tech, and IMO it's just not that interesting. <br />
There was a bunch amusing trivia, such as:<ul class="mycode_list"><li>He made a demo to try to get a record deal (with help from Andy Partridge, who refused to be paid). He didn't get a deal, but Mutt Lange heard it and liked the synth sound, so he hired him to play on Foreigner 4. With the money he made, he was able to get the gear to make his first album.<br />
</li>
<li>He was in a Band with Trevor Horne in 1979, then was in Lene Lovich's band and he wrote "New Toy" for her.<br />
</li>
<li>He produced and played on an album for George Clinton, and was in the band at a James Brown tribute show at the Apollo.<br />
</li>
<li>He did the soundtracks for "Howard the Duck" and Ken Russell's "Gothic."<br />
</li>
<li>Bob Weir and Jerry Garcia appear on his fourth album, but Jerry was (as he kindly put it) "out of it" and played poorly. But the tape was running while Jerry noodled, so Dolby cut up bits of that and spliced together a part from them.<br />
</li>
</ul>
The first half is recommended, and was one of the better musician's memoirs I've read. Although as is often the case, debauchery and drugs go pretty much unmentioned. The second half I don't recommend, although might interest TG since he's been in tech so long.]]></content:encoded>
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			<title><![CDATA[Himself by Jess Kidd]]></title>
			<link>http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8621</link>
			<pubDate>Fri, 17 Oct 2025 22:47:02 +0000</pubDate>
			<dc:creator><![CDATA[<a href="http://www.brotherhoodofdoom.com/doomForum/member.php?action=profile&uid=9">King Bob</a>]]></dc:creator>
			<guid isPermaLink="false">http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8621</guid>
			<description><![CDATA[Mahony is a young man in Dublin, who grew up in the orphanage. He gets a letter that tells him his mother's name and the town she's from, in County Mayo. He goes there to find out what happened to her. In the house where he gets a room, he meets an old woman who was a theater actress, and puts on an annual play. She decides to help him. When he gets there, something happens to him that hasn't happened for years: he starts seeing ghosts. And sometimes they talk to him. There are other supernatural happenings as well. Town secrets are revealed, and they find the truth in the end.<br />
It was a bit leisurely, but picked up speed towards the end. Characters were pretty well drawn I thought. The writing was good. Possibly the mystery aspect would be weak to Greg, although he might enjoy the Irish setting. (The author is from Mayo.) The Yeti might enjoy the magical realist bits.]]></description>
			<content:encoded><![CDATA[Mahony is a young man in Dublin, who grew up in the orphanage. He gets a letter that tells him his mother's name and the town she's from, in County Mayo. He goes there to find out what happened to her. In the house where he gets a room, he meets an old woman who was a theater actress, and puts on an annual play. She decides to help him. When he gets there, something happens to him that hasn't happened for years: he starts seeing ghosts. And sometimes they talk to him. There are other supernatural happenings as well. Town secrets are revealed, and they find the truth in the end.<br />
It was a bit leisurely, but picked up speed towards the end. Characters were pretty well drawn I thought. The writing was good. Possibly the mystery aspect would be weak to Greg, although he might enjoy the Irish setting. (The author is from Mayo.) The Yeti might enjoy the magical realist bits.]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Listening to the Music the Machines Make by Richard Evans]]></title>
			<link>http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8551</link>
			<pubDate>Tue, 02 Sep 2025 22:26:56 +0000</pubDate>
			<dc:creator><![CDATA[<a href="http://www.brotherhoodofdoom.com/doomForum/member.php?action=profile&uid=9">King Bob</a>]]></dc:creator>
			<guid isPermaLink="false">http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8551</guid>
			<description><![CDATA[The subtitle on this is "Inventing Electronic Pop 1978-1983." I had wanted to read this for a while, but couldn't find a copy, so finally I ordered it on ABE. Sadly, I was a bit disappointed. 500 pages of small type focused on releases and live performances, and the author quotes then-contemporary critics about almost every one of them, with multiple quotes for each. It's just too much. There is almost nothing about the technology, which seems like a huge omission to me. Since it's focused on pop, and the UK, the same groups come up over and over: OMD, Human League, Soft Cell, Heaven 17, Gary Numan etc. A lot about their early days, which could have been edited down. Because of the time frame, some big names get very little mention: Howard Jones, Thomas Dolby, Eurythmics, Pet Shop Boys. Brian Eno was only mentioned in passing. American house and techno are very briefly discussed right at the end, and that's one of the better sections.<br />
There is some amusing trivia though:<ul class="mycode_list"><li>OMD started out performing with a reel to reel tape machine for some parts of the songs; when they added another musician and technology got better, they did a farewell concert for it, and the machine is now in a museum (I think in Manchester).<br />
</li>
<li>Thomas Dolby played on Whodini's first album<br />
</li>
<li>Afrika Bambaataa loved Kraftwerk (apparently they were also popular among the originators of Detroit techno) and Planet Rock uses part of Trans-Europe Express, not sampled, but played by a musician in the studio<br />
</li>
<li>Neal Tennant was a music journalist before he was in the Pet Shop Boys, and they took the name because they had friends who worked in a pet shop.<br />
</li>
</ul>
Not recommended. Instead I'd recommend Simon Reynolds' <a href="https://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8091&amp;highlight=simon+reynolds" target="_blank" rel="noopener" class="mycode_url">Rip It Up and Start Again</a>, which is about post-punk and covers some of the same ground but is more enjoyable.]]></description>
			<content:encoded><![CDATA[The subtitle on this is "Inventing Electronic Pop 1978-1983." I had wanted to read this for a while, but couldn't find a copy, so finally I ordered it on ABE. Sadly, I was a bit disappointed. 500 pages of small type focused on releases and live performances, and the author quotes then-contemporary critics about almost every one of them, with multiple quotes for each. It's just too much. There is almost nothing about the technology, which seems like a huge omission to me. Since it's focused on pop, and the UK, the same groups come up over and over: OMD, Human League, Soft Cell, Heaven 17, Gary Numan etc. A lot about their early days, which could have been edited down. Because of the time frame, some big names get very little mention: Howard Jones, Thomas Dolby, Eurythmics, Pet Shop Boys. Brian Eno was only mentioned in passing. American house and techno are very briefly discussed right at the end, and that's one of the better sections.<br />
There is some amusing trivia though:<ul class="mycode_list"><li>OMD started out performing with a reel to reel tape machine for some parts of the songs; when they added another musician and technology got better, they did a farewell concert for it, and the machine is now in a museum (I think in Manchester).<br />
</li>
<li>Thomas Dolby played on Whodini's first album<br />
</li>
<li>Afrika Bambaataa loved Kraftwerk (apparently they were also popular among the originators of Detroit techno) and Planet Rock uses part of Trans-Europe Express, not sampled, but played by a musician in the studio<br />
</li>
<li>Neal Tennant was a music journalist before he was in the Pet Shop Boys, and they took the name because they had friends who worked in a pet shop.<br />
</li>
</ul>
Not recommended. Instead I'd recommend Simon Reynolds' <a href="https://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8091&amp;highlight=simon+reynolds" target="_blank" rel="noopener" class="mycode_url">Rip It Up and Start Again</a>, which is about post-punk and covers some of the same ground but is more enjoyable.]]></content:encoded>
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			<title><![CDATA[Marked for Death: The First War in the Air by James Hamilton-Patterson]]></title>
			<link>http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8500</link>
			<pubDate>Tue, 15 Jul 2025 22:46:51 +0000</pubDate>
			<dc:creator><![CDATA[<a href="http://www.brotherhoodofdoom.com/doomForum/member.php?action=profile&uid=9">King Bob</a>]]></dc:creator>
			<guid isPermaLink="false">http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8500</guid>
			<description><![CDATA[A book about WWI aviation. It's quite detailed and covers a lot of things I'd never considered, such as  how planes were commissioned and built, types of missions flown, how the notion of "aces" developed, and how airmen were trained (or often weren't, since some went into combat with only a few hours flying time). I skipped the last two chapters, one on home defence, and on eon the war in Egypt and Mesopotamia. Draws on period sources, but is mostly analytical, so less focused on the experiences of the airmen. It's focused almost entirely on the British and Canadians, with some discussion of French and German training methods, and a short digression on Richtofen in the section on aces. No mention of Americans at all. <br />
<br />
Recommended if you want some detailed info on the subject.<br />
<br />
TG - I'll pass this one on to you.]]></description>
			<content:encoded><![CDATA[A book about WWI aviation. It's quite detailed and covers a lot of things I'd never considered, such as  how planes were commissioned and built, types of missions flown, how the notion of "aces" developed, and how airmen were trained (or often weren't, since some went into combat with only a few hours flying time). I skipped the last two chapters, one on home defence, and on eon the war in Egypt and Mesopotamia. Draws on period sources, but is mostly analytical, so less focused on the experiences of the airmen. It's focused almost entirely on the British and Canadians, with some discussion of French and German training methods, and a short digression on Richtofen in the section on aces. No mention of Americans at all. <br />
<br />
Recommended if you want some detailed info on the subject.<br />
<br />
TG - I'll pass this one on to you.]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[The Aran Islands by J.M. Synge]]></title>
			<link>http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8442</link>
			<pubDate>Fri, 13 Jun 2025 02:32:12 +0000</pubDate>
			<dc:creator><![CDATA[<a href="http://www.brotherhoodofdoom.com/doomForum/member.php?action=profile&uid=9">King Bob</a>]]></dc:creator>
			<guid isPermaLink="false">http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8442</guid>
			<description><![CDATA[This book was a clue in one of Greg's posts: <a href="http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=852&amp;pid=5469&amp;highlight=synge#pid5469" target="_blank" rel="noopener" class="mycode_url">The Galway Series by Ken Bruen</a><br />
<br />
Synge went to the Aran islands c. 1900 and the book is entries from his journal. Because of that, it's in short sections with no linear narrative, jumping between topics. It was an interesting read, full of details of the islanders' way of life, and he includes some stories and songs they told him. Plus there were a few nice illustrations by Jack Yeats (brother of the poet). <br />
<br />
Probably of no interest to any of you except perhaps Greg.]]></description>
			<content:encoded><![CDATA[This book was a clue in one of Greg's posts: <a href="http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=852&amp;pid=5469&amp;highlight=synge#pid5469" target="_blank" rel="noopener" class="mycode_url">The Galway Series by Ken Bruen</a><br />
<br />
Synge went to the Aran islands c. 1900 and the book is entries from his journal. Because of that, it's in short sections with no linear narrative, jumping between topics. It was an interesting read, full of details of the islanders' way of life, and he includes some stories and songs they told him. Plus there were a few nice illustrations by Jack Yeats (brother of the poet). <br />
<br />
Probably of no interest to any of you except perhaps Greg.]]></content:encoded>
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			<title><![CDATA[Alex and Me by Irene Pepperberg]]></title>
			<link>http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8419</link>
			<pubDate>Sun, 25 May 2025 19:14:08 +0000</pubDate>
			<dc:creator><![CDATA[<a href="http://www.brotherhoodofdoom.com/doomForum/member.php?action=profile&uid=9">King Bob</a>]]></dc:creator>
			<guid isPermaLink="false">http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8419</guid>
			<description><![CDATA[The author is a scientist and Alex was an African Grey Parrot. She worked with him (and a couple of other birds) for years on language experiments. DM might have read something about this when he was at UCSC. It turned out that the parrots had more language understanding than anyone thought possible, and had abilities that were previously thought only to exist in primates. Alex could understand labels for shapes and colors, and even learned Arabic numbers, for instance understanding that the numeral 5 represented a greater quantity that three physical objects. Amusingly, he also picked up phrases from the lab staff and used them in the correct context - such as saying "Pay attention!" when no one responded to him. <br />
<br />
Probably not DOOM recommended unless you have an interest in animal intelligence experiments, but it was a quick and entertaining read.]]></description>
			<content:encoded><![CDATA[The author is a scientist and Alex was an African Grey Parrot. She worked with him (and a couple of other birds) for years on language experiments. DM might have read something about this when he was at UCSC. It turned out that the parrots had more language understanding than anyone thought possible, and had abilities that were previously thought only to exist in primates. Alex could understand labels for shapes and colors, and even learned Arabic numbers, for instance understanding that the numeral 5 represented a greater quantity that three physical objects. Amusingly, he also picked up phrases from the lab staff and used them in the correct context - such as saying "Pay attention!" when no one responded to him. <br />
<br />
Probably not DOOM recommended unless you have an interest in animal intelligence experiments, but it was a quick and entertaining read.]]></content:encoded>
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			<title><![CDATA[Carry On, Jeeves by P.G. Wodehouse]]></title>
			<link>http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8371</link>
			<pubDate>Wed, 16 Apr 2025 20:43:42 +0000</pubDate>
			<dc:creator><![CDATA[<a href="http://www.brotherhoodofdoom.com/doomForum/member.php?action=profile&uid=9">King Bob</a>]]></dc:creator>
			<guid isPermaLink="false">http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8371</guid>
			<description><![CDATA[There's so much crap going on that I wanted a light-hearted read and found this at Recycle. Some of you are probably familiar with the TV series (which I've never seen). Jeeves is the valet to the Bertie Wooster, who is not too bright. Bertie and his friends get into one sort of trouble or another in each story, and Jeeves sorts it out. It's amusing, but not laugh out loud funny. As I said in my review of another Wodehouse book, it's a bit like Sherlock Holmes: you know the general shape of the story before you start, but enjoy how it plays out and how the superior intellect prevails, only this is funnier. Those of you who enjoy Downton Abbey might like it.]]></description>
			<content:encoded><![CDATA[There's so much crap going on that I wanted a light-hearted read and found this at Recycle. Some of you are probably familiar with the TV series (which I've never seen). Jeeves is the valet to the Bertie Wooster, who is not too bright. Bertie and his friends get into one sort of trouble or another in each story, and Jeeves sorts it out. It's amusing, but not laugh out loud funny. As I said in my review of another Wodehouse book, it's a bit like Sherlock Holmes: you know the general shape of the story before you start, but enjoy how it plays out and how the superior intellect prevails, only this is funnier. Those of you who enjoy Downton Abbey might like it.]]></content:encoded>
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			<title><![CDATA[A Short History of Drunkeness by Mark Forsyth]]></title>
			<link>http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8364</link>
			<pubDate>Mon, 14 Apr 2025 22:09:30 +0000</pubDate>
			<dc:creator><![CDATA[<a href="http://www.brotherhoodofdoom.com/doomForum/member.php?action=profile&uid=7">Drunk Monk</a>]]></dc:creator>
			<guid isPermaLink="false">http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8364</guid>
			<description><![CDATA[By short, it's less than 250 pages, and it encompasses many ancient cultures, although mostly European, with nods to China (weak) and Aztecs (surprising). Forsyth is a tad smarmy in his tone, which bugged me at first, but I got used to it later. He's got a lot of funny factoids about world history. His chapters on the Wild West, symposiums, gin in the UK, and ale were particularly revealing. In the end, I found it an enjoyable light read, a book gifted to me that has been sitting on my nightstand since xmas.]]></description>
			<content:encoded><![CDATA[By short, it's less than 250 pages, and it encompasses many ancient cultures, although mostly European, with nods to China (weak) and Aztecs (surprising). Forsyth is a tad smarmy in his tone, which bugged me at first, but I got used to it later. He's got a lot of funny factoids about world history. His chapters on the Wild West, symposiums, gin in the UK, and ale were particularly revealing. In the end, I found it an enjoyable light read, a book gifted to me that has been sitting on my nightstand since xmas.]]></content:encoded>
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			<title><![CDATA[The Harder I Fight the More I Love You: A Memoir - Neko Case]]></title>
			<link>http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8357</link>
			<pubDate>Fri, 11 Apr 2025 04:33:52 +0000</pubDate>
			<dc:creator><![CDATA[<a href="http://www.brotherhoodofdoom.com/doomForum/member.php?action=profile&uid=15">thatguy</a>]]></dc:creator>
			<guid isPermaLink="false">http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8357</guid>
			<description><![CDATA[I saw Neko Case at the Rio Theatre in 2023. It was an awesome show, but the last time Neko Case came thru town (a few months ago), her appearance at the Rio was sponsored by Bookshop Santa Cruz and it was a book tour for this book. I didn't attend, but I put a request for the book at the library and it came in last week. <br />
<br />
It's a well written, easy read. As a skilled songcrafter, she dropped in little bits, like some Seattle area serial murderer, that she pulls in later to connect the whole narrative together. It's not too heavy handed, but I noticed it. She's of a similar age, so her world growing up resonates a bit. <br />
<br />
Her story is pretty rough, and the first half of the book is dedicated to her childhood, mostly in the Pacific Northwest. Eventually she talks a little about music, but those early mentions are mostly asides...like she played drums in this band or that, like the path to getting the drums and learning them, and meeting other people to play with was skipped over...but then the tone of the book switches over to her solo career, being on the road, living in different places. She talks about how she got into playing tenor guitars (a 4-string guitar, just like a 6-string minus the 2 heaviest gauge strings). <br />
<br />
She talks a bit about feminism, but it's not overly. She talks about horses...overly, but it's ok. <br />
<br />
I wanted more about the music and that path. For example, the inner sleeve bio thoughts that she's one of the founding members of The New Pornographers (a name I know, but I'm not familiar with their music). TNP gets about 1 or 2 paragraphs later in the book... but it's her memoir and music is just a piece...<br />
<br />
I enjoyed it and read it in a few days...<br />
<br />
Recommended if you like music bios and/or Neko Case.<br />
<br />
--tg]]></description>
			<content:encoded><![CDATA[I saw Neko Case at the Rio Theatre in 2023. It was an awesome show, but the last time Neko Case came thru town (a few months ago), her appearance at the Rio was sponsored by Bookshop Santa Cruz and it was a book tour for this book. I didn't attend, but I put a request for the book at the library and it came in last week. <br />
<br />
It's a well written, easy read. As a skilled songcrafter, she dropped in little bits, like some Seattle area serial murderer, that she pulls in later to connect the whole narrative together. It's not too heavy handed, but I noticed it. She's of a similar age, so her world growing up resonates a bit. <br />
<br />
Her story is pretty rough, and the first half of the book is dedicated to her childhood, mostly in the Pacific Northwest. Eventually she talks a little about music, but those early mentions are mostly asides...like she played drums in this band or that, like the path to getting the drums and learning them, and meeting other people to play with was skipped over...but then the tone of the book switches over to her solo career, being on the road, living in different places. She talks about how she got into playing tenor guitars (a 4-string guitar, just like a 6-string minus the 2 heaviest gauge strings). <br />
<br />
She talks a bit about feminism, but it's not overly. She talks about horses...overly, but it's ok. <br />
<br />
I wanted more about the music and that path. For example, the inner sleeve bio thoughts that she's one of the founding members of The New Pornographers (a name I know, but I'm not familiar with their music). TNP gets about 1 or 2 paragraphs later in the book... but it's her memoir and music is just a piece...<br />
<br />
I enjoyed it and read it in a few days...<br />
<br />
Recommended if you like music bios and/or Neko Case.<br />
<br />
--tg]]></content:encoded>
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			<title><![CDATA[This is Reggae Music by Lloyd Bradley]]></title>
			<link>http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8346</link>
			<pubDate>Tue, 01 Apr 2025 00:33:55 +0000</pubDate>
			<dc:creator><![CDATA[<a href="http://www.brotherhoodofdoom.com/doomForum/member.php?action=profile&uid=9">King Bob</a>]]></dc:creator>
			<guid isPermaLink="false">http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8346</guid>
			<description><![CDATA[An exhaustive history, but from a different angle than I expected. He starts with the origin of sound systems in Jamaica, and that remains a central focus of his history, both in Jamaica and in the UK. (The author ran a sound system in London in the late 70s.) Live performance was not the main way to get the music out, but instead it was singles at sound system dances, and then purchases of them by the public. He carries the story from the beginnings of ska up to the arrival of dancehall. Perhaps the best aspect is how much is told by the musicians. There are long quotes from his interviews with musicians, some running full pages, and then continuing again after some of the author's words. <br />
<br />
Because of this focus, Marley is barely touched on. He admits that Jamaicans hailed him as the international face of reggae, but his music didn't figure in the world of the sound systems after his early days, and so, from this angle, was not a major stylistic influence. Marley was very influential on making rasta a lyrical focus, and hugely raising the visibility and popularity of dreadlocks, but not so much musically.<br />
<br />
I think the big complaint would be that it's just too long, over 500 pages, and in many places, particularly early on, there was a lot of discussion of artists I was not familiar with. Therefore I'd recommend skimming and digging in when it gets interesting. The chapter on dub is excellent.]]></description>
			<content:encoded><![CDATA[An exhaustive history, but from a different angle than I expected. He starts with the origin of sound systems in Jamaica, and that remains a central focus of his history, both in Jamaica and in the UK. (The author ran a sound system in London in the late 70s.) Live performance was not the main way to get the music out, but instead it was singles at sound system dances, and then purchases of them by the public. He carries the story from the beginnings of ska up to the arrival of dancehall. Perhaps the best aspect is how much is told by the musicians. There are long quotes from his interviews with musicians, some running full pages, and then continuing again after some of the author's words. <br />
<br />
Because of this focus, Marley is barely touched on. He admits that Jamaicans hailed him as the international face of reggae, but his music didn't figure in the world of the sound systems after his early days, and so, from this angle, was not a major stylistic influence. Marley was very influential on making rasta a lyrical focus, and hugely raising the visibility and popularity of dreadlocks, but not so much musically.<br />
<br />
I think the big complaint would be that it's just too long, over 500 pages, and in many places, particularly early on, there was a lot of discussion of artists I was not familiar with. Therefore I'd recommend skimming and digging in when it gets interesting. The chapter on dub is excellent.]]></content:encoded>
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			<title><![CDATA[The Name of this Band is R.E.M. by Peter Ames Carlin]]></title>
			<link>http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8307</link>
			<pubDate>Fri, 14 Feb 2025 22:06:56 +0000</pubDate>
			<dc:creator><![CDATA[<a href="http://www.brotherhoodofdoom.com/doomForum/member.php?action=profile&uid=9">King Bob</a>]]></dc:creator>
			<guid isPermaLink="false">http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8307</guid>
			<description><![CDATA[Mostly a typical band history. The part about the scene is Athens was the best part I thought. And rather like their albums, it declines toward the end. Since the band members didn't participate, and rarely gave much personal information, he could'nt get at from that angle, but he did talk to many other people. His major failing to me was saying that the lyrics of some song were about certain things and then not quoting them to back that up. Since they are generally difficult to make out on the earlier albums, I was usually surprised by what he said, but unable to decide whether or not the interpretation was reasonable. There were a couple of ommissions that made me wonder what else he might have missed: He did not mention that Cuyahoga was partly inspired by the fires that had burned on the polluted river. He also made a big deal out of their SNL appearance for Monster in 1994, but they had already been on in 1991 for Out of Time, and nary a peep for that. Also he says little about recording the albums, usually only a page or so.<br />
<br />
TG - I remember you telling me that Peter Buck had only been playing the guitar for three years when they got together. It turns out that was a lie he told because the Athens bands took an anti-commercial stance and were often deliberately amateurish. He had actually been playing for over ten years.<br />
<br />
Recommended if you're into the band, but it's a bit long at over 400 pages.]]></description>
			<content:encoded><![CDATA[Mostly a typical band history. The part about the scene is Athens was the best part I thought. And rather like their albums, it declines toward the end. Since the band members didn't participate, and rarely gave much personal information, he could'nt get at from that angle, but he did talk to many other people. His major failing to me was saying that the lyrics of some song were about certain things and then not quoting them to back that up. Since they are generally difficult to make out on the earlier albums, I was usually surprised by what he said, but unable to decide whether or not the interpretation was reasonable. There were a couple of ommissions that made me wonder what else he might have missed: He did not mention that Cuyahoga was partly inspired by the fires that had burned on the polluted river. He also made a big deal out of their SNL appearance for Monster in 1994, but they had already been on in 1991 for Out of Time, and nary a peep for that. Also he says little about recording the albums, usually only a page or so.<br />
<br />
TG - I remember you telling me that Peter Buck had only been playing the guitar for three years when they got together. It turns out that was a lie he told because the Athens bands took an anti-commercial stance and were often deliberately amateurish. He had actually been playing for over ten years.<br />
<br />
Recommended if you're into the band, but it's a bit long at over 400 pages.]]></content:encoded>
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			<title><![CDATA[The Silver Snarling Trumpet by Robert Hunter]]></title>
			<link>http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8279</link>
			<pubDate>Mon, 13 Jan 2025 22:46:24 +0000</pubDate>
			<dc:creator><![CDATA[<a href="http://www.brotherhoodofdoom.com/doomForum/member.php?action=profile&uid=7">Drunk Monk</a>]]></dc:creator>
			<guid isPermaLink="false">http://www.brotherhoodofdoom.com/doomForum/showthread.php?tid=8279</guid>
			<description><![CDATA[D00M deadheads know Hunter. This was his journal, written in ‘61, of his post beatnik/pre hippie scene in Palo. Keplers figures prominently. Hunter penned some of my fav lyrics of all time, but I’ve read some other works and he needs an editor. Here he is, an unpolished diamond, ranting on about their dreams and poverty, and the ‘scene’. He &amp; Jer are in their late teens, struggling to find the way. Hunter describes some trips, and a lot of drunken banter which is completely relatable.<br />
<br />
Hunter allegedly reworked this over the years and never meant to publish it, but his estate had other ideas. And despite the money grab, I’m glad for it. It’s a charming portrait of Jer, full of mischief and constantly practicing, constantly exploring music, and constantly being dismissed as someone who won’t amount to anything. Hunter’s tale of when they formed a duet for a while, then Jer broke it up because Hunter wasn’t a serious musician is one of those road not travelled moments. <br />
<br />
Honestly it’s a lot of teenage navel gazing from someone who would become a powerhouse of a poet, something that would be dismissible if not for the charming portrait of Jer. It made me smile a lot, reminding me what it was like at the start of a long, strange trip.]]></description>
			<content:encoded><![CDATA[D00M deadheads know Hunter. This was his journal, written in ‘61, of his post beatnik/pre hippie scene in Palo. Keplers figures prominently. Hunter penned some of my fav lyrics of all time, but I’ve read some other works and he needs an editor. Here he is, an unpolished diamond, ranting on about their dreams and poverty, and the ‘scene’. He &amp; Jer are in their late teens, struggling to find the way. Hunter describes some trips, and a lot of drunken banter which is completely relatable.<br />
<br />
Hunter allegedly reworked this over the years and never meant to publish it, but his estate had other ideas. And despite the money grab, I’m glad for it. It’s a charming portrait of Jer, full of mischief and constantly practicing, constantly exploring music, and constantly being dismissed as someone who won’t amount to anything. Hunter’s tale of when they formed a duet for a while, then Jer broke it up because Hunter wasn’t a serious musician is one of those road not travelled moments. <br />
<br />
Honestly it’s a lot of teenage navel gazing from someone who would become a powerhouse of a poet, something that would be dismissible if not for the charming portrait of Jer. It made me smile a lot, reminding me what it was like at the start of a long, strange trip.]]></content:encoded>
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